On Criterion last month, I watched La Cérémonie, a 1995 French film directed by Claude Chabrol that is a mix of a dark comedy and a crime film, and I really adored it. It stars Sandrine Bonnaire as this quiet, dry maid hired to work for a rich family out in their remote mansion, led by the matriarch Jacqueline Bisset, who is nice but kind of flighty, and she has a very “whatever” attitude to things, until she meets Isabelle Huppert, a local postal clerk who is seen as the town kook, and brings this eccentric weird energy to the movie that is really funny and bright. Huppert is more of a rebellious influence on Bonnaire, who just starts to ditch her work, take off with Huppert in goofing around and bonding over dark pasts, and take advantage of watching TV in her room (like seeing goofy talk shows and puppet-filled music videos), and the family both doesn’t get it, but also seem unaware in their own world. Basically, if you’ve seen Parasite, you get what kind of family this is, the comments the film is making on class and the bourgeoisie, and the similar endings.
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