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Saturday, October 12, 2024

Thoughts on The Wild Robot

I liked The Wild Robot (2024). It felt like a mix of The Iron Giant and Wall-E, and it had a different look than more louder DreamWorks movies, though it’s still directed at kids.

I liked that it has a good voice cast where it’s celebrities but nobody easily recognizable besides Matt Berry as a beaver, and the animation was really beautiful, and I liked how it captured the fox’s movements, like how it curled its tail around its body, or let out a slight whine when yawning like how dogs too. (I know that foxes are canines but not dogs, but it was very dog-like)
It’s directed by Chris Sanders, who made Lilo & Stitch, so I felt confident that it would have that same kind of heart mixed in with sci-fi, with the story being about a cyborg helper robot named Roz (Lupita Nyong’o) whose packaging lands on an island after a shipwreck, and she immediately wants to complete tasks for people, and as the island is only inhabited by animals, Roz is just bugging and freaking out all the animals with its requests to help them, being attacked by them instead. Roz learns to communicate with the animals and inadvertently becomes a “mother” to an orphaned gosling, befriending a smartass fox (Pedro Pascal) and slowly bonds with the other animals as she gains more intelligence beyond her initial programming.
It was a really nice movie to watch, and while it could have also worked as a dialogue-free short film about a robot bonding with animals in the wilderness, this was good, too.

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